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  • February3rd

    Unfortunately, when it comes to photographing people and model releases, it can become a bit confusing when you try to swim through the stormy seas of Federal and provincial copyright and privacy laws, especially when these can vary widely from province to province.

    What is comes down to – and what you’ll be referring to in your release if you have one – is the end use of the photographs: personal usage, editorial usage or commercial usage.

    Personal Usage

    The photograph is being taken for creative and artistic purposes and may be used for self-promotion, in the photographer’s portfolio, and possible sold as fine art prints through the photographer’s website or at a gallery. No releases are usually required for personal usage but… be respectful of your subject. If they consider themselves to be a model (not just a performer), you should get a release.

    Editorial Usage

    Editorial photos are used for newsworthy items. You will find these photos in newspapers, web news sites and television newscasts. Photos used for editorial purposes must be factual and unedited in order to accurately convey the event at the time the photo was taken. No releases are usually requested for news items but credit must be given.

    Commercial Usage

    This usually occurs when the photograph is used for “advertising” purposes – your photo is used to promote or endorse a commercial product which implies that the model is also promoting/endorsing it. Model releases are needed and sometimes a location release is needed as well.

    You sell the photo to an advertising agency, which then uses it in an ad to sell a product.

    You hire a model to do a photo shoot with a car as a prop for the use of Honda, your client.

    SO WHAT ARE MY OPTIONS?

    There are two different kinds of photo releases – a model release and a location release. When you’re working with models and performers in a live event or studio situation, you’ll mostly need to deal with model releases.

    A model release is an agreement or contract between the photographer and the model (or performer) that is meant to release the artist from legal liabilities by clearly defining the terms of the relationship between the two parties in order to avoid misunderstandings and minimize the possibility of lawsuits.

    WHEN DO THEY APPLY?

    Live Performances

    When the performer is at a public venue such as a park or on a street or performs at a public event such as a ribbon cutting, there is no expectation of privacy for the performers (celebrity, singer, dancer, etc.) as it is impossible to control not only the photography by everyone at the event (cameras, smartphones, etc.) but also to monitor the media after the event for photos (personal websites, Flickr, 500px, Tumblr, newspapers, blogs, the list goes on).

    At a performance in a private venue such as a nightclub, theatre, or church, there is more control over attendance. Occasionally the event producer or manager will require that photographers sign waivers (contracts, photo policies) with varying levels of photo restrictions. These may include:

    • Limit on # of photos per performer
    • Request for copies of photos – either watermarked or hi-res non-watermarked
    • Transfer of copyright
    • Usage terms – non-commercial, personal only

    So do I need a release?

    At a private event with a waiver, you’re covered for the terms set out therein. Without that waiver, you should try to get a release if you can – it builds a personal relationship with your subject and covers you for commercial licensing in the future.

    Public events are tricky – can you imagine trying to get releases from hundreds of participants at an outdoor concert? As most public events tend to be newsworthy, they can fall into that grey area of editorial usage. Usually, if the people are not easily identifiable or are not the main subject of the photo, a release is not needed.

    Model Shoot

    Whether you hire a model or they hire you in order to produce a series of photos for a portfolio or artistic project, both you and your client need to make it clear how each party can use the final pieces – especially if the photos will be used commercially. This is why a model release is so important:

    • On the client’s side, it outlines items such as usage (commercial, non-commercial, web, print, etc.), crediting of the photographer, whether the photos can be modified, etc.
    • On the photographer’s side, it outline items such as copyright, usage, crediting of the model (real name or stage name), selling of prints, etc.

    If you’re working with an underage model (under 18), you’ll also need to make sure that the release includes their guardian’s signature as they cannot legally sign the release.

    Make sure to keep copies of the signed releases on file to refer to if needed at a later date: if you decide to sell the images commercially, stock agencies require a copy of your model release; contests and magazines will also require copies of model releases with your submissions; and PIPEDA (Personal Information Protection and Electronic Documents Act) requires that you keep the releases for as long as the image exists.

    Shooting for Stock

    Any model photo that you submit for sale to a stock agency must be accompanied by a model release since you have no idea who will purchase the image and how it will be used. As commercial use is “a photo used to advertise or endorse a product or service,” you need to make sure that your model release covers this and the model is aware of the potential uses of their image.

    If you sell a photo from a model shoot to a microstock website where it’s available for $10, it may be purchased 100 times in a month and you will not know what any of those 100 uses are. The photo could be used on anything from a book cover, to a website, to an ad for condoms. You don’t want this to be a surprise to a model that you have developed a good working relationship with.

    Photographing Kids

    Unless you are hired to photograph a child or group of children and have explicit permission and a signed release from each minor’s guardian, don’t photograph kids.

    Parents are very protective of their children. There may be several reasons why they would not want their images publicized: family issues, social issues, and legal issues. While photographing children at a private party or in a studio can work quite well, you can bet there’s nothing that will get you arrested faster than hanging around taking photos of children out in a park or school playground.

    THE RELEASE

    There are many excellent sample releases out on the web that you can download and modify for your own purposes, but make sure that you seek out either Canadian or US sources depending on your location to ensure that the language and legalities apply to you.

    Model releases are negotiable but most times the blanket release is signed if written properly. There are some basic pieces that you should include in your standard template:

    • Name and signature of the model
    • Name and signature of the photographer
    • The date
    • The consideration – what the model receives upon signing the release (their fee, TFP, etc.)
    • A statement that the model is of the age of majority
    • The way(s) the image will be used
    • Permission for the artist to make alterations to the image
    • The right of the photographer’s agents, assigns and legal representatives to the use of the images
    • A minor’s parent or guardian signature if the model is under 18 as contracts are not binding without their signature

    Now that you have a general idea of the instances where you might need a model release, you’re ready to start selling your photos. But where should you try and sell them? There are so many places, from micro stock agencies to galleries, and they all have different rates and commissions. How do you pick the one that’s right for you?

    That’s what we’ll cover in our next segment…

    Part III: Where Can I Sell My Photos?

  • January22nd

    You’re going through your stash of event photos and trying to figure out just what to do with them. Should you try to sell some prints? Should you try and see if a magazine might be interested in paying a licensing fee to use them in print? Can you use them in that upcoming book you’re putting together about Burlesque?

    Yes….and no….well maybe, it depends. The world of copyright and usage is a confusing maze of laws, protections, and rules that are constantly being written and rewritten, making it hard for the average photographer to know where they stand in the pursuit of their craft.

    In this multi-part series, we’ll explore the confusing world of copyright as it relates to photographers and the selling and licensing of performance and event photos; the confusing world of editorial, website, and tv/film contracts; and photography contests.

    (Please note, copyright legislation is amended periodically and this series relates to the law as of January 22, 2012.)

    COPYRIGHT

    All Canadian creators of art automatically own the copyright in their original (not a copy of an existing piece) personally created works in a fixed (physical, visual, electronic, etc.) form. According to the Canadian Copyright Act:

    The author of a photograph is the person who was the owner of the initial photograph when it was mad, if there was no negative or plate, or the owner of the initial negative or plate at the time they were made.

    Copyright runs for the length of the creator’s life, the remainder of the calendar year in which the creator dies, and a period of 50 years following the end of that calendar year.

    Work For Hire (freelance or employment)

    There is one exception to the rule – in the case of commissioned photography (work for hire), you must have an agreement between you and the client stating who will own the copyright once the work has been paid for. Without this agreement, the copyright is owned by the client.

    Assigning Copyright

    You do have some control over your copyright. You can assign or license the copyright to your photography, in whole or in part, subject to whatever limitations you negotiate, as long as you have all the terms in writing with both parties’ signatures. We’ll talk about this more when we delve into licensing and contracts.

    Keep in mind that although your artistic work is copyrighted – your final photographic piece as it was composed, edited, and produced – the idea behind the photo isn’t. Just like a writer cannot copyright the overall idea of a “woman meeting a man in a coffee shop and falling in love” – or the entire romance genre would collapse – your idea of a photo of two elephants with their trunks entwined is not copyrighted. However your representation of that idea, the final art piece that can only be produced using your skills and vision, is copyrighted. For photographers, this can include digital files, negatives, or plates, depending on how you shoot.

    MORAL RIGHTS

    As a creator of original work, you have also automatically have moral rights to that work. You don’t have to do anything to get these, like sign paperwork or file materials with the government, and they include:

    The right to have your work credited with either your name or pseudonym and the right to remain anonymous.

    The right to the integrity of your work (no excessive manipulation such as cropping, editing, etc.)

    Artists cannot sell their moral rights – nor should they – but that doesn’t mean that they can’t be waived. If you choose to waive your moral rights, you lose the right to enforce them at a later date if you decide your artwork has been edited too much or represented negatively.

    Your moral rights are not connected to your copyright. If you assign copyright you will still retain the moral rights to your piece unless you waive those rights as well. This is important to keep in mind when you start dealing with contracts and looking at the terms on websites when sending in photos for competitions.

    Term of rights

    As with copyright, moral rights run for the same term as the copyright of the piece, but after the creator’s death:

    First, the moral rights pass on to the person to whom the creator bequeaths them.

    If there is no specific bequest on moral rights, they pass on to the person to whom copyright is bequeathed.

    If there is no person to accept the moral or copyrights, they pass on to whom the estate is bequeathed.

    Exceptions

    The Canada Copyright Act recognizes several exceptions where copyrighted material can be used without being considered a violation of the copyright:

    Fair Dealing

    • Criticism and Review – as long as the source and name of the author or performer are mentioned.
    • News Reporting – as long as the source and name of author or performer are mentioned.

    Educational Institutions

    • Reproduction for instruction – make a copy of the work for projection for the purposes of education or training on the premises of an educational institution without motive of gain.
    • Reproduction for examinations – reproduce or telecommunication a piece of work to the public situation in an educational institution for a test or exam without purpose of gain.
    • Exemption from copyright infringement does not apply if the work reproduced is commercially available in a medium that is appropriate for the purpose.

    Now that you have a general sense of how copyright works, you need to learn how to apply these rules when working with contracts, dealing with contest terms of agreement and image licensing. Before you can do any of these things, you’ll need to shoot your subject matter. Whether in the studio or at a live performance, it’s important for you to know how to deal with rights, both yours and your subject’s so that everyone gets exactly what they need out of the experience.

    That’s what we’ll explore in our next segment…

    Part II: Do I Need a Photo Release?

    Helpful Resources: