Photolena
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  • February21st

    I had the opportunity to take a workshop recently that not only had a fabulous model – Jennifer Toronto – but also had a truly creative organizer who doubled (tripled?) as the MUAH and costume designer.

    Miriana Mitrovich, a great photographer in her own right, has been working with models for quite a while and is becoming known for her haunting painterly images of women in motion – nudes, ballerinas, and women in gorgeous flowing gowns or draped in fabric. It was this that drew me to her workshop – I wanted to learn her lighting techniques and see who these sensual women are that she shoots.

    The afternoon exceeded my expectations – not only was it a wonderful studio downtown, but I was able to work with an extremely experienced model and a talented MUAH who not only has the photographic vision for the set, but also does hair, makeup, and created a fantastic outfit made entirely our of NOW Magazines for one of the sets.

    Set 1 – La Belle En Papier

    I was eager to work with the paper outfit which included a little hat, bra/tube top and pleated miniskirt. Paper props were also available including origami birds, a paper umbrella, a fan, and little origami boats on a long string. After spending several minutes playing the “haven’t I seen you somewhere before?” game, Jennifer and I settled into a steady rhythm using the little boats as props.

    I have to say, you don’t always get to work with someone that can easily fall into the theme and is so experienced that they need very little direction. Jennifer is one of those models – we were able to establish the tone of the shoot and she just went with it throughout my whole time limit. I kept imagining a modern sea goddess pulling a fleet of ships to shore. She held her pose until she heard my camera click and then moved into another pose, allowing me to get all the shots I needed. I was so lost in the moment that I didn’t even think of using the other props – all I could hear was “Wow,” “That’s the one,” “Beautiful,” and other comments from the other participants as she posed. Luckily we all had a quick chance to shoot again with the other props at the end of the set and I was able to sneak in the bird and the umbrella in there.

    Set 2 – In Velvet

    With a quick hair and outfit change, Jennifer was ready to shoot again. For this set, we decided to concentrate on the seated form and portrait closeups. The outfit was a long black silk skirt, black velvet beaded shawl, and black mesh headpiece. Jennifer has a great “fashion pout face” as I like to call it – you see it in all the magazines – and this was a perfect opportunity to use that look.

    My main interests in these photos were the softness of the beaded velvet shawl against the paleness of her skin and the spidery lines of the mesh headpiece that worked beautifully with the light. Many of my favourite photos don’t have her face in them and she’s either looking away, facing the other way, or her hand is over her face, allowing the different textures and light to be the focus.

    Once we realized that Jennifer had a tattoo on her back, there was a round of photos focusing on the headpiece against the soft skin of her back and the beautiful tattoo. Still working on those images.

    Set 3 – Jennifer En Roses

    For our final set, we went wild with roses. Miriana had created a large ball of roses (about the size of a basketball) that could be held. With the addition of some red mesh fabric, and a change of lighting, we changed the mood to a soft romantic shoot. As this was an “implied nude” shoot, Jennifer spent this part holding the roses in front of her pretty bosom, but that didn’t limit her creativity in posing.

    As I looked at the photos I was shooting in this set, I knew immediately the processing I would use on them. They evoked an Old Masters feel – soft and romantic – and they would look their best using a more painterly processing technique. As I tend to do this technique on high ISO photos, I shot a set using natural light at the end which seemed to inspire the group as we all took 3 minutes to shoot with natural light to experiment with processing.

    Below are my favourites from the shoot. Enjoy:

  • February3rd

    Unfortunately, when it comes to photographing people and model releases, it can become a bit confusing when you try to swim through the stormy seas of Federal and provincial copyright and privacy laws, especially when these can vary widely from province to province.

    What is comes down to – and what you’ll be referring to in your release if you have one – is the end use of the photographs: personal usage, editorial usage or commercial usage.

    Personal Usage

    The photograph is being taken for creative and artistic purposes and may be used for self-promotion, in the photographer’s portfolio, and possible sold as fine art prints through the photographer’s website or at a gallery. No releases are usually required for personal usage but… be respectful of your subject. If they consider themselves to be a model (not just a performer), you should get a release.

    Editorial Usage

    Editorial photos are used for newsworthy items. You will find these photos in newspapers, web news sites and television newscasts. Photos used for editorial purposes must be factual and unedited in order to accurately convey the event at the time the photo was taken. No releases are usually requested for news items but credit must be given.

    Commercial Usage

    This usually occurs when the photograph is used for “advertising” purposes – your photo is used to promote or endorse a commercial product which implies that the model is also promoting/endorsing it. Model releases are needed and sometimes a location release is needed as well.

    You sell the photo to an advertising agency, which then uses it in an ad to sell a product.

    You hire a model to do a photo shoot with a car as a prop for the use of Honda, your client.

    SO WHAT ARE MY OPTIONS?

    There are two different kinds of photo releases – a model release and a location release. When you’re working with models and performers in a live event or studio situation, you’ll mostly need to deal with model releases.

    A model release is an agreement or contract between the photographer and the model (or performer) that is meant to release the artist from legal liabilities by clearly defining the terms of the relationship between the two parties in order to avoid misunderstandings and minimize the possibility of lawsuits.

    WHEN DO THEY APPLY?

    Live Performances

    When the performer is at a public venue such as a park or on a street or performs at a public event such as a ribbon cutting, there is no expectation of privacy for the performers (celebrity, singer, dancer, etc.) as it is impossible to control not only the photography by everyone at the event (cameras, smartphones, etc.) but also to monitor the media after the event for photos (personal websites, Flickr, 500px, Tumblr, newspapers, blogs, the list goes on).

    At a performance in a private venue such as a nightclub, theatre, or church, there is more control over attendance. Occasionally the event producer or manager will require that photographers sign waivers (contracts, photo policies) with varying levels of photo restrictions. These may include:

    • Limit on # of photos per performer
    • Request for copies of photos – either watermarked or hi-res non-watermarked
    • Transfer of copyright
    • Usage terms – non-commercial, personal only

    So do I need a release?

    At a private event with a waiver, you’re covered for the terms set out therein. Without that waiver, you should try to get a release if you can – it builds a personal relationship with your subject and covers you for commercial licensing in the future.

    Public events are tricky – can you imagine trying to get releases from hundreds of participants at an outdoor concert? As most public events tend to be newsworthy, they can fall into that grey area of editorial usage. Usually, if the people are not easily identifiable or are not the main subject of the photo, a release is not needed.

    Model Shoot

    Whether you hire a model or they hire you in order to produce a series of photos for a portfolio or artistic project, both you and your client need to make it clear how each party can use the final pieces – especially if the photos will be used commercially. This is why a model release is so important:

    • On the client’s side, it outlines items such as usage (commercial, non-commercial, web, print, etc.), crediting of the photographer, whether the photos can be modified, etc.
    • On the photographer’s side, it outline items such as copyright, usage, crediting of the model (real name or stage name), selling of prints, etc.

    If you’re working with an underage model (under 18), you’ll also need to make sure that the release includes their guardian’s signature as they cannot legally sign the release.

    Make sure to keep copies of the signed releases on file to refer to if needed at a later date: if you decide to sell the images commercially, stock agencies require a copy of your model release; contests and magazines will also require copies of model releases with your submissions; and PIPEDA (Personal Information Protection and Electronic Documents Act) requires that you keep the releases for as long as the image exists.

    Shooting for Stock

    Any model photo that you submit for sale to a stock agency must be accompanied by a model release since you have no idea who will purchase the image and how it will be used. As commercial use is “a photo used to advertise or endorse a product or service,” you need to make sure that your model release covers this and the model is aware of the potential uses of their image.

    If you sell a photo from a model shoot to a microstock website where it’s available for $10, it may be purchased 100 times in a month and you will not know what any of those 100 uses are. The photo could be used on anything from a book cover, to a website, to an ad for condoms. You don’t want this to be a surprise to a model that you have developed a good working relationship with.

    Photographing Kids

    Unless you are hired to photograph a child or group of children and have explicit permission and a signed release from each minor’s guardian, don’t photograph kids.

    Parents are very protective of their children. There may be several reasons why they would not want their images publicized: family issues, social issues, and legal issues. While photographing children at a private party or in a studio can work quite well, you can bet there’s nothing that will get you arrested faster than hanging around taking photos of children out in a park or school playground.

    THE RELEASE

    There are many excellent sample releases out on the web that you can download and modify for your own purposes, but make sure that you seek out either Canadian or US sources depending on your location to ensure that the language and legalities apply to you.

    Model releases are negotiable but most times the blanket release is signed if written properly. There are some basic pieces that you should include in your standard template:

    • Name and signature of the model
    • Name and signature of the photographer
    • The date
    • The consideration – what the model receives upon signing the release (their fee, TFP, etc.)
    • A statement that the model is of the age of majority
    • The way(s) the image will be used
    • Permission for the artist to make alterations to the image
    • The right of the photographer’s agents, assigns and legal representatives to the use of the images
    • A minor’s parent or guardian signature if the model is under 18 as contracts are not binding without their signature

    Now that you have a general idea of the instances where you might need a model release, you’re ready to start selling your photos. But where should you try and sell them? There are so many places, from micro stock agencies to galleries, and they all have different rates and commissions. How do you pick the one that’s right for you?

    That’s what we’ll cover in our next segment…

    Part III: Where Can I Sell My Photos?