Behind the Lens: Snake Charmer
First of many posts in a new series that will take you into the studio with me as we explore and learn different techniques from set, to light, to post production.
Recently, I had the opportunity to take a photo workshop with a very unique prop – two live boa constrictors. When I read the description for the shoot I thought it would be a great opportunity to learn how to work exotic – as well as quite sensual and seductive – elements into my own style of photography. What better addition to an erotic or fetish shoot than a long slithering snake – the symbol of sin and temptation?
I spent a lot of time researching “model + snake” photos on the internet – everyone knows that famous Avedon photo of Nastassja Kinski, right? I wasn’t sure quite what to expect once I arrived at Creative Image Studios – a large studio/workshop shape out in my east end neighbourhood. Run by Kevin Lee, it was well organized considering you had 30 photographers on site shooting in two 3-hour shifts, 2 models, 2 ornery snakes, 3 helpers, and 2 completely differently lighting setups. I can imagine the organizational nightmare this must have been.
Set 1 – Continuous Full Spectrum
Every workshop that I’ve been to until this one used strobe lighting so this was a new experience for me. I understand why the lighting was done in this way – by setting up the light to be continuous, it allows for more than one photographer to shoot at a time as no single photographer is controlling and setting off a flash. All photographers participating can use the same settings (if they wish) to get the same results.
For this set the larger boa was used – about as long as I am tall – to allow for body wrapping, full length body elongation, and all sorts of great curls and manipulations of such a long and flexible animal. Our model Vanessa, a last minute stand-in for the original who cancelled via email the night before, had some scale-like makeup applied to her face but not as effectively as in the sample photos provided – a little too smudgy as it applied with eye shadow – and too little to be truly effective.
I enjoyed shooting with this unique light and luckily, having gained a lot of experience shooting with a crowd through the Keyhole Sessions‘ Girls on Film photo shoots, manoeuvering through the group to get a good shot was a piece of cake.
Set 2 – Strobe
A small area was set aside for close-up head shots with model Sharon and the small boa. With the use of a white reflective table you could easily get clean portraits with or without reflections. There was not a lot of room for movement in the confined space so you had to get creative with either the snake’s position or Sharon’s facial expressions.
As with Vanessa, some scale-like makeup had been applied to her face, but so little and smudged in a way that it looked like a bruise on her forehead. It should either have been reapplied or removed altogether.
I’m not sure what I thought working with snakes would be like, but here are the lessons that I learned coming out of this workshop:
- Snakes will not “pose”, so don’t think you’re going to get that shot you pictured in your head
- Being cold-blooded, snakes don’t like to be out in the hot camera lights for very long and will try to get into any dark place – this means a lot of breaks as the handlers put a cloth over their heads to cool them down as well as calm them down. This makes for a long shoot and less photo opportunities.
- Keeping with the previous note, snakes will not sit still for long, preferring to slither into hair, armpits, behind you, around you – anywhere to get away from the light. This is not a shoot where you take time to set up the shot – you’re at the snake’s mercy.
- Snakes can, and do, throw up from too much time out in the studio lights.
- They’re lots of fun to put around your neck – which I did.
- They’re very gentle, delicate and misunderstood creatures.
Some shots from the shoot (click for larger size):
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