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  • February17th

    Detroit, MI

    It used to be that my explorations were rooted in the crumbling giants of manufacturing, relics of our health obsessions, and the skeletons of a cash-starved education system. The causes of these industries’ failures were varied but rooted deeply within the economic stability of their communities. The tumbledown effect of the many different recessions could be seen in many of the rust belt cities that struggled to keep a foothold in this new century – industries shut down, schools closed, hospitals funding vanished, and homes were shuttered.

    In these neighbourhoods, churches used to be not only a centre for spirituality, but a place for coming together of the community within times of crisis. With community strength and faith, there seemed to always be a surge of hope – for a better tomorrow, for a better life, and for things to turn around. The church also served as a community centre where youth could gather and find a way to keep themselves occupied for a while. “Socials” brought families, friends, and neighbours together in a positive and supportive atmosphere. You knew that you could get a helping hand with your troubles from your church brethren, and you would be there for them when they were in need.

    Today, many of these churches are forgotten and decaying, their once lively congregations gone and the pews sitting empty. Sometimes the congregation gets older and new members don’t join the church, making for dwindling numbers – without the members, there’s just no money for the upkeep and these churches integrate with ones nearby to save on costs and close their doors forever. Other times, the neighbourhood suffers too much from these financial times and, when the people lose their jobs and homes they leave, and the church cannot be maintained.

    Today, I find myself photographing more and more decaying houses of worship. I am always in awe when I enter these forgotten churches. Their maker’s mark is evident in the soaring ceilings, the delicate arches, and the fine details in the ornamentation on the pillars. Some may look upon these as decrepit relics of an abandoned faith, but I see them as architectural marvels, even in their deconstructed state. If I’m lucky enough, somewhere their plaster skin will have withered away exposing their hardwood skeleton, allowing me to wonder at the sheer artistry involved in the construction of such a majestic structure. I find churches cross the fine line from architecture into art as it takes a passion and skill to create something so powerful and inspirational yet so delicate at the same time. Very few modern architects move me this way, except perhaps Frank Gehry.

    At one church, I was approached by an elderly man who used to be a member of the congregation and cleaned the pews after services. He noticed that I had a camera and was taking photos so he wasn’t worried about me being there as I wasn’t going to hurt his church. He told me that he would come by and make sure that vandals and looters didn’t come in to steal anything – even though the church was closed up for so long. He felt it was his duty to keep it safe, and often times he would come in to pray in the solitude. He hoped the photos would help shed some light on the church’s condition and maybe save it from further decay.

    Not everyone sees these structures in this light and find them a treasure chest of relics for looting and resale. So many are ripped apart in a way that prohibits them from being restored or reused. Churches are such strong structures, it takes just a little imagination to reuse them in a way that would add to the community – whether it be housing, shops, or a community centre.

  • February2nd

    CNR Building

    Limited Edition Series: 20

    In 2009, a group of photographers partnered with Heritage Toronto to document – in an artistic way – some of Toronto’s historic but often-forgotten architectural gems. The end result was a week-long exhibit at the Gladstone Hotel during Heritage Week in February entitled Building Storeys: A Photographic Exhibit of Toronto’s Aging Spaces. It was supported by a series of articles on spacing.ca – one per week in January leading up to the show – showcasing some of the more interesting locations. At the time, we wanted it to be a good show – a great show really – but never expected it to garner the attention and press that it did.

    In two days, we will be opening our second installment of Building Storeys – this year subtitled A Photographic Exhibit of Toronto’s Industrial Past. It’s been quite a learning experience and we’ve streamlined some of the coordination of the show – thanks in a huge way to the addition of Toni Wallachy‘s project management skills. With this being an industrial-themed show, we’ve also added two great industrial photographers to the project – Sean Galbraith and Mathew Merrett of the DK Photo Group. You may know them from their show on Bravo! Canada – PhotoXplorers. The group is rounded out by members of the Shadow Collective – Timothy Neesam (an excellent UE photographer), Rick Harris (another great UE photographer all the way from Whitby), Robert Dyke (a long-time industrial and UE photog) and myself. And of course, there were the tireless staff of Heritage Toronto – Rebecca Carson who tirelessly managed the project, Kim Adlard who approached sponsorship and contracts like a tiger, Peggy Mooney who helped us get into these locations, and Gary Miedema the font of all historical knowledge.

    The locations we were able to shoot this year were phenomenal and each provided us with different stories of Toronto’s industrial past: RC Harris, the Wellington Destructor, Ashbridges Bay Water Treatment Plant, Canada Linseed, Toronto Island Water Plant, and many others.

    Come and read the history of Toronto’s industrial growth and see the photographic interpretations of a dozen truly interesting locations by 7 great photographers at Building Storeys 2010: A Photographic Exhibit of Toronto’s Industrial Past. It’s on at the Gladstone Hotel, Queen W & Gladstone, February 4-27, noon-5pm daily. Please check the News page to see exhibit updates.

    Additional information about the show and the artists can be found at www.buildingstoreys.com

    Additional photos from my photo shoots at the 12 locations can be found on my Flickr site.